Behind the Scenes: Water Metropolis BW

Table of Contents

INTRODUCTION

Hello there, my title is Israel, and principally, Blender and the complete realm of artwork have develop into a faith to me. I adore it, examine it, observe it, and just about worship it each time I’ve the time.

INSPIRATION

To be trustworthy, I created “Water Metropolis” to check the efficiency of my new laptop computer, an RTX 3060 with 16GB RAM, i5-12450H 8-core, 12 thread cyberpunk automation. It’s a “template” for future initiatives to find out what my laptop can and can’t course of. That is all. And all through the expertise, “Water Metropolis” was not solely a check but additionally an OK digital commentary.

The “concept” was to place as many buildings on a water airplane earlier than the PC begins to decelerate. As soon as the technical facet was completed, I might start with the inventive perspective.

GROUND

The buildings from sci-fi Industrial of kitbash3d are glorious fashions, however I nonetheless wanted some stable floor to settle the buildings.

So, I made a decision to go for the “greeble look” and located an excellent tutorial on YouTube by CG Chuck to information the best way. The tutorial got here with the Bagapie modifier add-on and a free greeble package deal.

I added a Sci-fi Wall Panel Texture for the ground from CG Dealer.

SCENE SET-UP

To arrange the scene, I began by adjusting the origin factors, scaling the buildings, and including fundamental lighting. These are simply the fundamental Blender navigation.

I used the low-poly ship pack Ultimate Spaceships from Quaternius. I added an array modifier on them to create a street path for the spaceships.

TEXTURING

I moved on to UV unwrapping and including textures to fashions the place wanted. As soon as that was executed, I picked up some constructing lights referred to as Night Windows procedural material from ArtStation. Glorious work, Tony Skeor!

Now, the “brainstorm” of the challenge was get the constructing lights aligned and on the buildings for the reason that fashions didn’t include refined metropolis gentle textures (sci-fi industrial and/or the greeble pack). There are various strategies of doing this, however since I like Blender and Photoshop, I made a decision to render two layers of the thing. One layer with the usual textures and the opposite layer (of the identical object) with the sunshine texture and overlap them later in Photoshop.

Right here, I added the Evening Home windows materials to the constructing and took a separate render.

The ocean was a bit less complicated to create. I used the identical mixing overlap approach in Photoshop that I used for the buildings, together with an HDRI of an ocean.

To point out the reflection of the buildings, I solely wanted a easy shiny airplane in Blender.

PHOTO-SHOP

For the ultimate consequence, I took the 2 separate renders of the buildings over to Photoshop and overlapped each layers accordingly with the corrected mix mode.

The background just isn’t proven as I used to be going so as to add it in photoshop together with all of the layers.

For a special method to this work, I selected to decolorize the paintings and settled on the Black and White model of it. This model regarded higher with the sci-fi theme.